Complain all you want about it, but I think CW: Frontline has become
just as necessary as CW itself. The scope of the event is so huge that
its impossible to show how the SRA affects the thousands of people in
the superhuman community. Frontline does just that. We see how even the
most obscure characters (Prodigy, Typeface, Network, etc...) are coping
with the new law. We can follow Speedball's story. Say what you will
about the "bias," but as a journalism student I can tell Jenkins must
have at least some experience with journalism because he nails what its
like to be working for a newspaper. The editor (J.J.) sees the story
from one angle, the writer (Urich) sees it from another. Then there's
the activist reporty, Sally, who believes she is unvcovering the
government's encroachment on American civil liberties. It works out
beautifully.